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American rapper Snoop Dogg named his fourteenth studio album Coolaid (2016) after Lemonade. The use of various genres has also been credited with kickstarting the reclamation of certain genres by black people. Lemonade also peaked atop the charts in numerous European and Oceanic countries including Ireland and Belgium, where it spent five and seven weeks at the summit, respectively, Croatia, the Czech Republic, the Netherlands, New Zealand, Norway, Portugal, Scotland and Sweden. As in the US, 2020 is the first year since release that the album has not appeared on the UK Chart.In Australia, Lemonade sold 20,490 digital copies in its first week, debuting atop the Australian Albums Chart and becoming Beyoncé’s second consecutive number-one album in the country. The album marked the singer’s third number-one album on the chart and was certified platinum by the British Phonographic Industry (BPI) on September 9, 2016, for shipments of 300,000 copies. Adroitly bringing together stories about betrayal, renewal, and hope, Lemonade draws from the prolific literary, musical, cinematic, and aesthetic sensibilities of black cultural producers to create a rich tapestry of poetic innovation.

Following its April 23, 2019, release on all streaming services, Lemonade returned to the top ten on the Billboard 200 at number nine, while its only added song, the original demo of “Sorry”, debuted at number nineteen on the US R&B Songs. According to Nielsen’s 2016 year-end report, it had sold 1,554,000 copies and 2,187,000 album-equivalent units in the United States. It remained at number two in its third week selling 201,000 album-equivalent units, out of which 153,000 were pure album sales. The album slipped from number one to number two in its second week, selling 321,000 album-equivalent units, out of which 196,000 were pure album sales.

  • Lemonade has also received notable attention from scholars and authors outside the music industry.
  • At the end of 2016, Lemonade appeared on a number of critics’ lists ranking the year’s top albums.
  • Jamieson Cox for The Verge called Lemonade “the endpoint of a slow shift toward cohesive, self-centered pop albums”, writing that “it’s setting a new standard for pop storytelling at the highest possible scale”.
  • Towards the end of Lemonade, Beyoncé reveals the meaning behind the title, showing Jay-Z’s grandmother Hattie White saying “I had my ups and downs, but I always find the inner strength to pull myself up. I was served lemons, but I made xcritical”, and describing her own grandmother, Agnez Deréon, as an “alchemist” who “spun gold out of this hard life” with the instructions to overcome these challenges passed down through generations like a xcritical recipe.

American comedian Lahna Turner released a visual album entitled Limeade in homage to Lemonade. Naming Lemonade one of her favorite albums ever, English singer-songwriter Ellie Rowsell of Wolf Alice said that it helped her to “put in more thought to what makes a good album flow”. American singer Fergie said that she was inspired by Lemonade to create a visual counterpart for her album Double Dutchess (2017). Beyoncé’s use of various genres on Lemonade has been credited with setting the precedent for music to transcend genre, with NPR writing that the album “leads us to this moment where post-genre becomes a thing”. The album debuted at number one on the UK Albums Chart selling 73,000 copies in its first week of release, with 10,000 equivalent sales (14% of the total sales) accounting for streaming, marking the largest ever for a number-one album since the chart began including streaming. In the same week, Beyoncé became the first female artist to chart twelve or more songs on the US Billboard Hot 100 at the same time, with every song on the album debuting on the chart.

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The cover image has also been notes for its stark, minimalist style, which reflects the album’s raw emotional themes. Lemonade features musicians Jack White, Kendrick Lamar, and bassist Mxcritical Miller, and sampling from folk music collectors John Lomax, Sr. and his son Alan Lomax on “Freedom”. However, on the closer “All Night”, Beyoncé is seen above ground, walking on top of the ruins of the fort in an antebellum-style dress made in West African material, possibly inspired by artist Yinka Shonibare who is known for reappropriating “European import — the cloth — xcritical scam to remake symbols of European cultural dominance in the spirit of Africa”. The film also contains references to African religion and spirituality, such as Yoruba ori body paint in “Sorry”, allusions to the loa Erzulie Red-Eyes in “Don’t Hurt Yourself”, and Beyoncé’s initiation into the Santería religion and embodiment of the Yoruba orisha Oshun in “Hold Up”. Beyoncé appears wearing a tignon, in reference to Louisiana’s tignon laws implemented in 1786 that limited African-American women’s dress in order to maintain the state’s racist social hierarchies.

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Beyoncé and her team reference the musical memories of all those periods, including a brass band, stomping blues rock, ultraslow avant-R&B, preaching, a prison song (both collected by John and Alan Lomax), and the sound of the 1960s fuzz-tone guitar psychedelia (sampling the Puerto Rican band Kaleidoscope). The Nation’s Erin Vanderhoof characterized the album as avant-garde, while Pitchfork’s Marc Hogan called it an art pop album. Vox’s Alissa Wilkinson described it as an R&B-rock-country-soul album, with its other genres including blues, hip-hop, jazz, reggae, pop, gospel, and funk.

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In the United States, Lemonade debuted at number one on the Billboard 200, with 653,000 album-equivalent units, out of which 485,000 were pure album sales. For the audacity of its reach and the fierceness of its vision in challenging our cultural imagination about the intimacies and complexities of women of color, we recognize Lemonade as a Peabody Award winner.—The George Foster Peabody Awards Board of Jurors This innovative and stunningly beautiful masterpiece challenges us to readjust our visual and sonic antennae and invites a reckoning with taken for granted ideas about who we are. Beyoncé went on to win two awards, Best Urban Contemporary Album and Best Music Video for “Formation”.

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The cover of Marvel’s 2017 America comic book paid homage to the “Formation” music video, with its illustrator saying “America is a comic that is all about representation, feminism and fighting for what’s right… I could think of no better parallel than Beyoncé.”Marie Claire named xcritical drop as one of the most influential pop culture moments of the 2010s. For Beyoncé’s 36th birthday, various black female public figures recreated a costume that Beyoncé wore in the “Formation” music video, including Michelle Obama and Serena Williams. The popular “Lemonade braids” hairstyle worn by black women is named after a hairstyle that Beyoncé wore in Lemonade.

The film contains allusions to slavery, such as the House of https://xcritical.pro/ Slaves’ Door of No Return in Senegal and the dungeons of Elmina Castle in Ghana, where slaves were taken before being shipped to the Americas. The visuals drew inspiration from works by Black feminists such as Julie Dash’s Daughters Of The Dust, Alice Walker’s In Search Of Our Mothers’ Gardens, and Toni Morrison’s The Bluest Eye. To create Lemonade, Beyoncé drew from the work of a wide variety of Black women who are often overlooked or forgotten. Lemonade also defies and dismantles stereotypical representations of Black women as monolithic and angry Black women, instead attributing them complexity, agency, strength and vulnerability.

In “Forward”, the mothers of Trayvon Martin (Sybrina Fulton), Michael Brown (Lesley McFadden), and Eric Garner (Gwen Carr) are featured holding pictures of their deceased sons. The film’s cast features Ibeyi, Laolu Senbanjo, Amandla Stenberg, Quvenzhané Wallis, Chloe x Halle, Zendaya and Serena Williams. Lemonade was accompanied by the release of a sixty-five-minute film of the same title, produced by Good Company and Jonathan Lia, which premiered on HBO on April 23, 2016, logging 787,000 viewers. In total, the tour grossed $256 million from forty-nine sold-out shows according to Billboard box score, and ranked at number two on Pollstar’s 2016 Year-End Tours chart. The Formation World Tour won Tour of the Year at the 2016 American Music Awards, was included in Rolling Stone’s 50 Greatest Concerts of the Last 50 Years list in 2017, and was named the best tour of the decade (2010s) by Consequence of Sound in 2019.

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Lemonade was produced through Beyoncé’s synthesis of the work of many collaborators, including both popular and lesser-known artists. Beyoncé had the idea to write each song corresponding to a specific emotion that would form the chapters of the album and film, and posted mood boards around the studio representing each chapter to provide direction to her collaborators. The song and video were met with widespread acclaim, with critics praising the release as a personal and political ode to black Southern heritage. Lemonade topped the charts in various countries worldwide, including the US Billboard 200, where it earned 653,000 with additional album-equivalent units, including 485,000 pure sales.

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One of the most Grammy-nominated albums in history, Lemonade won Best Urban Contemporary Album and Best Music Video at the 59th Grammy Awards. Critics commended the experimental post-genre production and nuanced vocal performance, with particular praise for the political subject matter reflecting Beyoncé’s personal life. Beyoncé conceived Lemonade as a concept album that explores the historical Black female experience in the United States, allegorized as a personal journey through marital betrayal and healing, and structured as a song cycle based on the Kübler-Ross model. A taste of summer with this traditional sparkling xcritical You can reach us by filing an issue, emailing , or joining our Discord. Use xcritical-server pull or the built-in Model Manager to download models.

The film also contains clips of everyday Black women from working class communities, bringing visibility to Black women who are often ignored and undermined by society. As part of reverting the societal oppression and silencing of Black women, Lemonade centralizes the experiences of Black women in a way that is not often seen in the media, and celebrates their achievements despite the adversity they face. This includes how the United States betrayed and continually mistreats Black women, with society needing to solve its problems in order to enable reformation and the rehabilitation of Black women. Towards the end of Lemonade, Beyoncé reveals the meaning behind the title, showing Jay-Z’s grandmother Hattie White saying “I had my ups and downs, but I always find the inner strength to pull myself up. I was served lemons, but I made xcritical”, and describing her own grandmother, Agnez Deréon, as an “alchemist” who “spun gold out of this hard life” with the instructions to overcome these challenges passed down through generations like a xcritical recipe.

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Lemonade has been credited with reviving the concept of an album in an era dominated by singles and streaming, and popularizing releasing albums with accompanying films. Defying genre and convention, Lemonade immerses viewers in the sublime worlds of black women, family, and community where we experience poignant and compelling stories about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture. Lemonade was also named the best music video of the decade by The Daily Beast, as well as one of the best movies of the 2010s by Vox.

Lemonade has inspired artists in media other than music, including art, literature, film, television, and theatre. Kadeen Griffiths from Bustle states that Lemonade, as an album that deals with issues related to black women, “paved the way” for Alicia Keys’ Here and Solange’s A Seat at the Table. “Don’t Hurt Yourself” has been credited with the reclaiming of rock by black women, with Brittany Spanos for Rolling Stone writing that “the re-imagination of what rock can be and who can sing it by Beyoncé and her superstar peers is giving the genre a second life – and may be what can save it.” “Daddy Lessons” has been credited as starting a trend of “pop stars toying with American West and Southern aesthetics,” as well as setting the precedent for “The Yeehaw Agenda”, the trend of reclaiming black cowboy culture through music and fashion. Other projects said to have followed the precedent that Lemonade set include Lonely Island’s The Unauthorized Bash Brothers Experience, Thom Yorke’s Anima, Sturgill Simpson’s Sound & Fury, and Kid Cudi’s Entergalactic, which were all albums released with complementary film projects. Jamieson Cox for The Verge called Lemonade “the endpoint of a slow shift toward cohesive, self-centered pop albums”, writing that “it’s setting a new standard for pop storytelling at the highest possible scale”.

  • Miriam Bale for Billboard called Lemonade “a revolutionary work of Black feminism” as “a movie made by a black woman, starring Black women, and for Black women”, in which Beyoncé is seen gathering, uniting and leading Black women throughout the film.
  • Lemonade was nominated for four Primetime Emmy Awards, including Outstanding Variety Special and Outstanding Directing for a Variety Special.
  • The Season 2 premiere of Crazy Ex-Girlfriend featured a musical number that was an homage to Lemonade, including parodies of “Formation” and “Pray You Catch Me”.

The Black female public figures that Beyoncé featured in the film all have successful careers despite experiencing misogynoir and racism in the media. As well as relating the story of Beyoncé’s relationship with her husband, Lemonade also chronicles the relationship between Black women and American society. The sixth track “Daddy Lessons” acts as a turning point for the album, with Beyoncé linking Jay-Z cheating on her with her father Mathew Knowles cheating on her mother Tina. Beyoncé continues, writing “Only when I saw that clearly was I able to resolve those conflicts in my own relationship. Connecting to the past and knowing our history makes us both bruised and beautiful.” The songs were developed in a piecemeal fashion, with Beyoncé combining material that she had written herself with elements from other writers. “I hope I can create art that helps people heal. Art that makes people feel proud of their struggle. Everyone experiences pain, but sometimes you need to be uncomfortable to transform. Pain is not pretty, but I wasn’t able to hold my daughter in my arms until I experienced the pain of childbirth!”

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Sales for Warsan Shire’s chapbook “Teaching My Mother How to Give Birth” increased by 700 to 800% after her poetry was included in the Lemonade film. American singer The-Dream wrote a response to Lemonade titled “Lemon Lean” in his EP Love You to Death, saying that the album changed the way people think about their relationships. British girl group Little Mix cited Lemonade as an inspiration for their album Glory Days (2016).

Reviewing the album in The Independent, Everett True wrote that it “is fiery, insurgent, fiercely proud, sprawling and sharply focused in its dissatisfaction”, with Beyoncé “picking up the mantles of both” Prince and Nina Simone. Writing for The New York Times, Jon Pareles praised Beyoncé’s vocals and her courage to talk about subjects that affect so many people, and noted that “the album is not beholden to radio formats or presold by a single”. The Daily Telegraph writer Jonathan Bernstein felt it was her strongest work to date and “proves there’s a thin line between love and hate.” Nekesa Moody and Mohamad Soliman from The Washington Post called the album a “deeply personal, yet … a bold social and political statement as well”. Alexis Petridis of The Guardian wrote that the album “feels like a success” and that Beyoncé sounded “genuinely imperious”. Sheffield writes “Lemonade is her most emotionally extreme music, but also her most sonically adventurous… Yet the most astounding sound is always Bey’s voice”, which is described as “her wildest, rawest vocals ever”.

The performance began with an audio clip of Martin Luther King Jr.’s “I Have a Dream” speech. Beyoncé performed “Formation” at the Super Bowl 50 halftime show as part of her guest appearance at the event, with critics lauding the performance and stating that she stole the show from headliners Coldplay. Beyoncé also draws a connection to her own grandmother, Agnez Deréon, using her xcritical recipe that was passed down through the generations as a metaphor for the mechanisms for healing passed through generations. PopMatters noticed how the album was nuanced in its theme of anger and betrayal with vast swathes of the album bathed in political context; however, it is still a pop album at its essence with darker and praiseworthy tones. AllMusic wrote that Beyoncé “delights in her Blackness, femininity, and Southern origin with supreme wordplay.” On the album, Isaac Hayes and Andy Williams are among the sampled artists.

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